Louise Nevelson

Nom de l’oeuvre : SERIES OF AN UNKNOW COSMOS XL 1979

Nevelson est connue pour ses "boîtes" d’expressionnisme abstrait assemblées pour former, une nouvelle création. Elle utilisait des objets trouvés ou des objets du quotidien mis au rebut dans ses assemblages ou "assemblies". Elle récoltait des caisses en bois, qu’elle assemblait selon un dessin préétabli. Puis, elle clouait dessus d’autres objets, des déchets, tous en bois. Elle peignait ensuite l’ensemble.

Louise Nevelson (September 23, 1899 – April 17, 1988) was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures.

Born in the Poltava Governorate of the Russian Empire (present-day Ukraine), she emigrated with her family to the United States in the early 20th century. Nevelson learned English at school, as she spoke Yiddish at home.

By the early 1930s she was attending art classes at the Art Students League of New York, and in 1941 she had her first solo exhibition. A student of Hans Hofmann and Chaim Gross, Nevelson experimented with early conceptual art using found objects, and dabbled in painting and printing before dedicating her lifework to sculpture. Usually created out of wood, her sculptures appear puzzle-like, with multiple intricately cut pieces placed into wall sculptures or independently standing pieces, often 3-D. A unique feature of her work is that her figures are often painted in monochromatic black or white.[2] A figure in the international art scene, Nevelson was showcased at the 31st Venice Bien